Artistic statement
My work is centred on re-imagining repertoire and forms through contemporary lenses and revealing the emotional and psychological layers that traditional interpretations often leave unexplored. «Relecture» – looking again, looking differently – is at the heart of my practice, allowing me to question inherited narratives and bring forward perspectives that resonate with today’s audiences. This approach has shaped my recent productions: from La Voix Humaine to Enypnion 夢, and now on to The Seven Deadly Sins, this trajectory continues, deepening my interest in fragmented identities and in the tensions between inner truth and imposed expectation.
I work with a stage language in which music, theatre and movement form a unified vocabulary. This interdisciplinary approach is not an addition but the foundation of my method: bodies, voices and images co-create meaning and shape an atmosphere that is both precise and cinematic.
Creating from Luxembourg, I aim to develop works that engage in dialogue beyond national borders while contributing to the country’s contemporary operatic and theatrical landscape. My projects seek to open spaces for reflection, to make visible the inner worlds that drive human behaviour, and to offer reinterpretations that speak directly to the present moment.

Opera singer
As a singer, I seek to transcend not only my voice, but also the character, in order to convey powerful emotions and interpretations.
Stage director
Directing involves reinterpreting through the artistic language that connects theater, voice, and body, and giving an updated perspective on the texts.


Choir conductor
I sculpt the voices of vocal ensembles to create something harmonious and beautiful. Through my posture, I am the link that connects the singers and the music.
Researcher
I question archetypes and the representation of women on stage, reinterpreting stories with sincerity, nuance, and complexity to move away from caricatures and stereotypes.

